I’m in Poughkeepsie for the week, accidentally twinning with Ingrid and workshopping the Notebook musical at New York Stage and Film. And while I can’t really share anything specific in terms of  who it is or when it is or what it is (YOU KNOW WHAT IT IS) I CAN share, with confidence, that this by far THE MOST INTENSE, MOST COMPLICATED, MOST FULLY EXHILARATING DEVELOPMENT PROCESS I HAVE EVER BEEN A PART OF. There’s my scenes, and then there’s the music, and both are living beasts that need to be fed and re-dresssed and fed again. I’ve never actually watched a group of people learn a song before, build it from notes to a number in twenty minutes. Nor have I ever properly placed lyrics in a script, or lined up sheet music with book, or located the exact moments when songs should begin or end, NOR HAVE I EVER BEEN MORE TIRED OR IN LOVE WITH PLAYS THAT HAVE SONGS IN THEM.

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